The reviews are rolling in for Duncan Macmillan and Jonny Donahoe’s Every Brilliant Thing, which officially opened at Broadway’s Hudson Theatre March 12. Previews began February 21. Jeremy Herrin and Macmillan are co-directing.
Merrily We Roll Along Tony winner Daniel Radcliffe returns to the Main Stem in the work, in which a nameless protagonist faces a distant father, a suicidal mother, and his own inexplicable deep sadness. And in a spark of childhood genius, he counteracts these obstacles by chronicling every brilliant thing in the world—first to cheer up his depressed mother, and later for friends, lovers, and himself. Those things include items ranging from simple pleasures (“ice cream,” “the color yellow”) to the far more specific and detailed (“old people who are kind and don’t smell unusual,” “the even numbered Star Trek films”).
Read the reviews below.
1 Minute Critic (Matthew Wexler)
Entertainment Weekly (Dalton Ross)
The Guardian (Jesse Hassenger)
The LA Times (Charles McNulty)
New York Notebook (Sandy MacDonald)
The New York Post (Johnny Oleksinski)
New York Stage Review (Steven Suskin, Frank Scheck)
New York Theater (Jonathan Mandell)
New York Theatre Guide (Austin Fimmano)
The New York Times (Helen Shaw)*
TheaterMania (Kenji Fujishima)
The Wall Street Journal (Charles Isherwood)*
*This review may require creating a free account or paid subscription.
Playbill will continue to update this list as reviews come in.
The solo play debuted at Edinburgh Festival Fringe, where it played three sold-out consecutive summers before coming to Off-Broadway’s Barrow Street Theatre in 2014. The latter run was filmed live and aired on HBO with Donahoe starring. The work returned to Edinburgh Fringe in 2024, where it was a Playbill Pick. The work also recently made its West End debut at @sohoplace, and featured a rotating roster of stars.
The full creative team from that West End bow is reprising their work on the Main Stem, including Herrin and Macmillan, scenic and costume designer Vicki Mortimer, lighting designer Jack Knowles, and sound designer Tom Gibbons. Casting is by Jessica Ronane, TT Partners is general managing, and Jhanaë K-C Bonnick serves as production stage manager.
Second Half Productions, Seaview, and Gavin Kalin Productions are producing.
First Appeared on
Source link
Leave feedback about this